Dr. Schneckle was a German gastropod who lived in the discokugel that he carried on his back, while his best friend, Hay Baby, was a bale of hay with a braided ponytail. Together they wrote and produced an offshore pirate radio show in the late-40s called “The Snail & Bale Show.” Hay Baby’s ponytail was, in fact, the antenna by which they transmitted their offshore broadcasts. (Technically the duo weren’t onshore, yet they weren’t exactly offshore either because their studio was situated in the middle of a salt marsh in Newbury, Massachusetts.)
Their peculiar radio show was almost entirely devoted to the philosophical investigation of color. The subject of color was extremely popular with the Newbury audience because the sun rarely emerged from behind the clouds above the silent and grey fishing village; movies and television were still a rare privilege at the time; and while the Newbury Library had an impressive collection of literature available, very few of the books contained pictures. Thus, listening to a snail with a German accent and a bale of hay with a braided ponytail describing different colors on the radio was very exciting to the citizens of Newbury.
Like Goethe and Wittgenstein, Dr. Schneckle and Hay Baby were perplexed and fascinated by the concept of color. They were, for instance, consumed by the problem of how to define colors without relying on ostensive definitions.
Say I want to paint one of the rooms inside of my shell the same color the sky is at this instant, Dr. Schneckle once asked, how would you transmit this color to the clerk at the paint store? How do you explain the color to him?
Well, Herr Dachtor, I would first commit the greyish green color of the sky to memory, Hay Baby replied. Then I would go to the paint store with my mental sky sample before my mind’s eye and explain to the clerk that I wanted something that was sort of a greyish green. I would then compare his mixes against my mental sky sample and together we would make adjustments to the paint’s tint, lightness, darkness, etc. until we achieved a match.
How successful would you expect that method to be? Dr. Schneckle asked. Because I would imagine the can of paint you return with would be inaccurate simply due to the notoriously unreliable nature of our memories. But even before you travel to the paint store, I already call into question the mental sky sample you left off with: there is no green in this sky! It is a bluish grey! Your entire enterprise is booty from the get-go!
Oh, but Herr Dachtor, I beg to differ, replied Hay Baby, beginning yet another debate about the color of the sky, much to the delight of their listeners.
Numerous experiments were conducted in this regard and they would often invite a clerk from the paint store—a young fellow named Douglas—to participate as a call-in guest on the show. Doug was dumb as a box of rocks, and his gaffs were always hilarious, but he seemed to relish his role on the show as a paint expert and so no one begrudged his shortcomings.
With Douglas’ help, Snail & Bail managed to create a very primitive mathematical language to describe colors that predated the Pantone system, but they were never able to achieve their goal of creating a universal language of color.
Other notable moments and achievements on The Snail & Bale Show included:
1. They claimed to have invented a new primary color called Jasp. Jasp was a very popular request (listeners could call in and request colors to be talked about) even though no one had seen it because, according to Snail & Bail, Jasp is, for now, only visible to scorpions, crabs, and some spiders. Humans will be able to see it in the year 2222.
2. One of the most popular segments on the show was a contest called, What Color Is It? Hay Baby would drop an object on the floor in front of a microphone and callers would try and guess what color the object was.
3. They developed a magical technology that gave mirrors memory. The mirrors on Dr. Schneckle’s shell, for instance, could be persuaded to conjure up the image of anything that had been reflected on their surface from years in the past. Additionally, their mirrors could communicate and share reflections with other mirrors all over the world. It was sort of an early version of the internet.
One of Snail & Bale’s favorite pastimes was to use a mirror to spy on the morning toilette of a hysterical woman in the neighboring town of Innsmouth. The Archdachess, as they called her, would fuss with wigs, makeup, and countless trinkets before her mirror for hours while eating hot dogs and smoking cigarettes. Much like a pair of baseball game announcers, Snail & Bale would give play-by-play analysis of her peculiar rituals much to the delight of their Newbury listeners.
The Snail & Bale Show came to an abrupt and tragic end when the pair were struck by lightning on February 28, 1953. They were literally trying to capture lightning in a bottle (a Leyden jar) in the middle of the Newbury salt marsh because they believed that lightning bolts contained the elements that could produce The God Color, a color they calculated to be eternally black yet infinitely bright—the purest color in the Universe from which all other color was born. Some people think that if The God Color does exist, it’s preserved in the memory of the mirrors on the back of Dr. Schneckle’s burned up shell which is on display—hanging from the ceiling like a proper discokugel—in the entrance hall to the Newbury Historical Society Library.